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Interviews are very interesting
to read. It's real pen spinners' views on pen spinning. I try my
best to get them for you so here you go...
Kam
Interview
Kam
(Fernando Kuo) is a highly acknowledged member of the pen spinning
clan! He dedicates a lot of his time to pen spinning and I have
a lot of respect for him. His website Pentix is a well-known site
among pen spinners and should be a definite place for you to visit.
Here’s our exclusive interview:
First
off, before we start I would like to thank you Kam, for taking your
time to take this interview.
AC:
What inspired you to start pen spinning?
Kam: This may sound obvious, but like many
pen spinners, I started spinning pens after watching others do it.
I have always been intrigued by things that others could do and
I couldn’t. I was fortunate to have people willing to teach
me the basic tricks back when I lived in Taiwan.
AC: Where do you see yourself in the world
of pen spinning?
Kam: If you’re asking about skill level,
I don’t consider myself as the best pen spinner. I know there
are many people who are just as good as I am (if not better). I
do believe, however, that I had a great impact in the world of pen
spinning. Pen spinning has always been popular among Asian cultures,
but with the creation of Pentix, I think I made this art better
known to countries in America and Europe too.
AC: Do you think that pen spinning is under-rated?
Kam: Most definitely. Most people are only
aware of a few tricks in Pen Spinning, and they think of Pen Spinning
as something that only bored students do. In reality, pen spinning
is a form of art that requires a lot of creativity and patience.
Since the beginning, I already knew that most people wouldn’t
take Pen Spinning seriously, so I was determined to make a website
so professional and well designed that people simply couldn’t
ignore it. I think I finally achieved that (Pentix is a proud winner
of the Golden Web Award) and made Pen Spinning more popular than
ever.
AC:
What are your most and least favourite tricks?
Kam: My favourite trick of all time would
be David Weis’s “Reverse to BackAround.” This
trick (combo, actually) is one of the most original tricks I’ve
seen. Not only is stylish, but it also introduced some revolutionary
concepts to pen spinning.
I
do not have a least favourite trick, but I do have a group of tricks
that I try to avoid. These would be any Sonic variations. I do not
mind the original Sonic at all, nor do I have anything personal
against these tricks. The reason I do not like to use them is because
there are too many variations of the Sonic, most of which look the
same. They are really not that hard to come up with, and do not
add to the style of combos. There are many beginners that fall in
the trap of learning some variations of the Sonic, and then putting
them all together in the same combo. There is really no point in
using all these variations together because they all look the same
to laymen (and to most pen spinners as well).
AC: How would you overcome difficult tricks?
Kam: Well, I try to make them easier :) Persistent
practice and a systematical approach can make even the hardest tricks
possible. Here are a couple examples:
1) If I want to learn a trick that requires a very precise timing,
I start by practicing the trick using a very long pencil, which
makes it spin slower, giving you more time to accomplish the trick.
Once I get the timing down with a long pencil, I shorten the length
of the pencil and practice again until I get used to the faster
timing. If I keep doing this (decreasing the length of the pencil
every time), I know that I will eventually learn the trick. It may
be very time consuming, but it is better than trying to grasp the
fast timing from the start, which often leads to excessive frustration.
2) Lets suppose that I want to learn a complex combo (linkage of
several simple tricks). Instead of trying to link everything from
beginning to end, what I will usually do is break down the larger
combo into smaller ones, and practice them individually. Once I
learn how to link each small combo, I can work on putting it all
together into the complex combo. Again, breaking it down makes it
simpler and save a lot of frustration.
AC:
How did your “big break” come in pen spinning?
Kam: I was once like many pen spinners, who
learned a few tricks and thought that that was it. I didn’t
think there were more to pen spinning than what I had learned. But
one day I realized that I could switch the fingers used in one trick
and create another one that had a complete different look. That
was when I came up with the Index Spin. Soon after, I thought, “if
I can come up with something new just by switching some fingers,
why can’t somebody else? There must be others who have done
it.” Of course there were. After some search on the World
Wide Web, I came across Hideaki’s site, and it was then that
I realized that pen spinning had this unlimited potential.
AC:
What influence has David Weis had on the world of pen spinning?
Kam: A very big influence, to say the least.
Besides being one of the few good pen spinners who uses only a simple
#2 pencil, he has shown us many original concepts. He showed us
how it is possible to link tricks continuously and infinitely (and
not just for simple tricks like the Charge). He also showed how
the conservation of momentum could be used to create amazing tricks
(as first shown in his Reverse to BackAround). I believe he is also
the first person to effectively link tricks after catching a pen
after an aerial trick. He has contributed a lot to the development
of our art, and is one the most original pen spinners I’ve
known. I believe I speak for most serious pen spinners when I say
that we look at him as a role model.
AC:
What tips would you give to beginners out there that wish to be
as good as you?
Kam: Besides the many tips that you can find
on my message board (and the ones that I mentioned above), I think
the most important thing in pen spinning is to be flexible, or open-minded.
By that, I mean that pen spinning is not a skill that you learn
once and stick with it. Like life itself, you must be constantly
learning, relearning, and changing old habits, always improving
yourself during the process. One of the first things a beginner
should learn is that failure is not necessarily bad. Most of us
are used to think of failure as something that should be avoided.
In Pen Spinning, failure (dropping the pen) is INEVITABLE. You can
ot avoid dropping the pen, so you must learn that this is part of
the learning process. Instead of thinking that you did something
wrong, you should ask yourself how you could learn from your mistakes.
AC:
Why do you think that people have become fascinated about pen spinning?
Kam: I believe we are fascinated about pen
spinning because it easily shows how something beautiful can be
accomplished merely by skill. The easiest way to understand this
is through a comparison. When people see a magician do miracles
with a deck of cards, they know that there is a secret to it, even
though there may be skill involved. Most people are familiar with
a deck of cards, but they know there might be more to it than they
know. With a pen, there is no secret, and I do not think there is
anyone who would say “I don’t know exactly how a pen
works.” Because a pen (or pencil) is such a simple object,
it is really amazing when one can do unimaginable things with it.
Thank
you very much Kam for this interview. If you wish to just say anything
please do here:
There are always ongoing discussions on what
pens should one use, or what a trick should be called, and so on.
A community of pen spinners can help you clarify these and other
questions, but I believe that ultimately, when it comes to learning
the tricks, we must learn them ourselves. There is no better way
to learn than experimenting the tricks yourself. Most good pen spinners
started on their own before they found a community of people who
do what they do. You ca not expect others to do all the work for
you. Patience and persistence are essential traits that you must
acquire in this field, through constant practice. Although the right
resources can help you a lot, ultimately you are the one who wants
to learn, and that is what makes it possible to perform incredible
feats with a simple pen. All I am saying is this, the internet can
provide you with all the tools you need, but it is up to you to
build something with them.
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