![]() |
November
2004 | |
![]() |
![]() |
|
|
by Max (with Walt
Oleksy) |
view previous issues here |
|
Hi. I'm Max, a
Lab-shepherd. |
I prefer
strolling the sidewalk with a responsible, mature master. |
Click on small photos for larger views
“FAHRENHEIT 9/11”
Even if the national election is over by the time
you read this, and you haven’t yet seen Michael Moore’s controversial
award-winning documentary, and whichever political party you favor, see this
blockbuster because it will give you more than you expected to know about
politics in America today and over the past four years. Moore surpasses even
his Oscar-winning “BOWLING FOR COLUMBINE” with his reportage
on post 9/11 events that the media calls “Fascinating!” “Excellent!” “Enthralling!” and “Two
thumbs way up!” From gutsy Columbia Tri-Star.
Max’s rating: The highest: two paws up, tail wags, and lots of “Woo
woo woo’s!”
GONE WITH THE WIND
The “greatest movie of all time” comes out in
a new 4-disc set that includes the movie specially remastered with “ultra
resolution,” and more than 5 hours of extras including reflections
by Olivia de Havilland. My master already owns the previously restored DVD
of the movie, but bought this one because it has an even sharper picture
and more extras than ever before. From Warner Video (even though David O.
Selznick made it and MGM originally released it.)
Max’s rating: also the highest and some extra tail
wags.
I just wish the DVD industry would retire the word “remastered.” It’s
scarier than Halloween for me to think they would ever tamper with my master.
I love him just the way he is.
THE MORE THE MERRIER
A delightful World War
II comedy about the apartment shortage in Washington, D.C., with adorable
Jean Arthur unable to resist the wholesome mannish charms of Joel McCrea,
who are brought together by droll Charles Coburn. My friend Jay Robert Nash’s
Motion Picture Guide gave it 3 ½ stars and called it “A delightful
effervescent comedy marked with terrific performances.” It was a hit
screwball comedy in its day and still funnier than any two or three so-called
comedies out of Hollywood today. From Columbia Tri-Star.
“THAT’S ENTERTAINMENT!”
Long-awaited, the complete
collection of “THAT’S ENTERTAINMENT!” is out now on DVD
in a 4-disc collectors edition. The best song and dance numbers from the
classic MGM musicals of Fred Astaire, Judy Garland, Gene Kelly, Cyd Charisse,
June Allyson, Mickey Rooney, Jane Powell and other stars are in the collection,
plus 5 hours of extras, all remastered (there’s that word again) with
5.1 Dolby surround sound. Each of the four discs also is sold separately.
Made by MGM, but released by Warner Video.
FACING WINDOWS
An
unhappy housewife is less happy when her husband takes a senile elderly
street man into their home. But through the experience, she finds a new
direction and the happiness that had eluded her. It’s in the tradition of great Italian movies,
in Italian with English or French subtitles. Not a plot you’ll likely
get from American movies, and there’s not a car chase in it. From
Columbia Tri-Star.
CHOPIN: DESIRE FOR LOVE
It
isn’t often we get to see a new movie from Poland, so this one is a
special treat because it’s the life of Frederic Chopin and includes
many of his most beautiful compositions played by Yo-Yo-Ma, Emanuel Ax, and
others. Oscar-nominated Jerzy Antczak’s ambitious biopic focuses heavily
on Chopin’s romance with the woman feminist writer who called herself
George Sand, and his relationship with her grown daughter and son. Filmed
in Poland, France, and Mallorca, Spain, it has a very authentic feeling and
look. The same disc has a choice of English language or Polish language version
with subtitles. Highly-recommended.
From MTI Video.
WIND IN THE WILLOWS
The timeless Kenneth Grahame
tales of mole, rat, badger, and toad appear on DVD for the first time in
this stop-motion animation feature with dialogue from the book. Really imaginative
and charming, and perfect for parents who are trying to slow their kids down
from all the rapid-paced so-called entertainment today and give them some
intelligent viewing. Try it on your youngest kids and I bet they like it
a lot. From A&E Entertainment.
Popular Mechanics for Kids offers two new releases this
month: SUPER SEA CREATURES AND AWESOME OCEAN ADVENTURESand
RIP-ROARING ROLLER COASTERS. Four energetic pre-teens are the
guides in these fun-while-you-learn adventures from Hearst Communications,
released by KOCH Vision.
My master says that when he was a boy, several neighborhood
movie theaters in Chicago showed three feature films for only 5 cents admission.
No, that wasn't in the Nickelodeons, either. American Home Treasures brings
back the triple-feature experience by putting three oldies on a DVD at a real
bargain price of under $10. You get to see some of the best Hollywood movies
of the 1930s, 1940s, and 1950s when movies were movies, such as these collections:
GREAT MYSTERY MOVIES that teams Orson Welles as THE STRANGER, with Edmund
O'Brien in D.O.A., and Barbara Stanwyck in LADY OF BURLESQUE. And CLASSIC
FAMILY MOVIES with Shirley Temple in two of her most loved movies, HEIDI and
THE LITTLE PRINCESS, and Freddie Bartholomew in the classic LITTLE LORD FAUNTLEROY.
That’s
what the British say when a king dies.
Christopher Reeve, who died on October 10 from heart failure at the age of 52, was not a king, but he was at the very least a hero. First, he gave every kid in the world a movie hero by playing Superman, the caped crusader for justice. He not only looked like Superman –- an athletic, clean-living 6-foot-4-inch actor who performed all his own stunts in the movie series –- he was believable because of innate character traits.
Those character traits soon revealed themselves off-the-screen in personal heroism. In authoring a biography on Christopher Reeve for Lucent Books in 2000, my research led me to learn something most people don’t know about him.
He was a hero when he volunteered in 1987 to go to Chile and lead a public rally pleading for the lives of 77 of that country’s leading actors, directors, and playwrights who had been sentenced to death by the dictator Augusto Pinochet. Their crime was having criticized his regime in their theatrical works.
Knowing he might be risking his life, Reeve went to Chile and led the rally that was punctuated by government machine-gun fire outside the garage where it was held.
His daring effort worked. The next day, Pinochet canceled his execution order. When Reeve’s heroism was reported in the press, many credited him with saving the lives of his fellow actors and artists.
Reeve was more humble about his role in the real-life drama. “This was not Superman to the rescue,” he said. “It was me as a private citizen, and as an actor in a country where we take freedom to perform for granted, helping fellow professionals in a country where they do not.”
Several months later, Pinochet resigned. Reeve was later given two awards for bravery from the Walter Briehl Human Rights Foundation, a group that works with torture victims.
But Reeve’s even greater innate character traits were tested when he was thrown from a horse during a jumping event in 1995 and broke his neck. The injury caused spinal cord inflammation that steadily destroyed the essential functions of his body: breathing, bladder and bowel control, and any motion below the neck.
Reeve had been a very active, adventurous, and young 43-year-old –- sailing, flying his own plane, and traveling all over the world. As the extensiveness of his injury became clear to Reeve in a hospital, the thought of spending the rest of his life paralyzed and in a wheelchair as a quadriplegic made him contemplate suicide. But he quickly overcame that thought when he saw the love and encouragement of his wife and children. “I could see how much they needed me and wanted me,” he told interviewer Barbara Walters.
Reeve became determined to survive his near-fatal accident. While in rehabilitation following his accident, he gained inner strength from realizing his productive life need not be over, even though he was a quadriplegic. Others in his condition had not given up. Why should he? Summoning amazing inner courage, he made up his mind that if he might never make another movie or appear on the stage again, his life could still have meaning if he continued his activism, this time from a wheelchair.
About 250,000 Americans alone suffer from paralysis due to spinal cord injuries. Some 10,000 such injuries happen each year from sports such as horseback riding, diving, motorcycling, or from other accidents. Reeve learned that if the brain is not damaged, as it fortunately was not in his case, many who are paralyzed can lead happy and successful lives.
Reeve not only began nine years of medical treatment and therapy, he lobbied Congress for better insurance protection against those suffering catastrophic injury.
Congress repeatedly rejected his efforts, but he never stopped lobbying on behalf of paralysis victims. And in 1996 he became a member of the board of directors of the American Paralysis Association which funds spinal cord injury research, and later became its chairman. He also became president of the Christopher Reeve Foundation, which raises money for the American Paralysis Foundation and also supplies to paralysis victims necessary equipment and services that are not covered by their insurance. His efforts led to President Bill Clinton allocating $10 million to the National Institutes of Health for spinal cord injury research.
From a wheelchair, on a breathing respirator, Reeve moved an Academy Award audience to tears with a plea for more movies about social issues.
“Hollywood needs to do more,” he said at the 1996 Oscar awards ceremony. “Let’s continue to take risks. Let’s tackle the issues. In many ways our film community can do it better than anyone else. There is no challenge, artistic or otherwise, that we can’t meet.”
Reeve applied that heroic philosophy to his own career, which had seemed ended after his accident.
He could only speak a little and not well, but was determined that his life as an actor was not over. He directed movies and even returned to acting in 1998 in a television production of “Rear Window,” winning him a Screen Actors Guide award for best actor.
In 2000, Reeve was able to move his index finger, and a specialized exercise program strengthened his arms and legs. He vowed he would walk again.
“I refuse to allow a disability to determine how I live my life,” he said. “I don’t mean to be reckless, but setting a goal that seems a bit daunting is actually very helpful toward recovery.”
Reeve became a leading crusader for stem cell research which has become a major campaign issue between President Bush and John Kerry. Kerry said at the candidates’ “town hall” debate, that embryonic stem cell research might help his friend Chris Reeve and others with spinal cord injuries.
Unable to walk and barely able to talk or breathe, Reeve mastered a computer that understood verbal commands, so he could send e-mail and fax messages to friends. It also enabled him to communicate with political and medical leaders on behalf of spinal cord injury research.
Little did we expect that only three days after Kerry spoke Reeve’s name at the “town hall” debate, Christopher Reeve would be dead. He had fallen into a coma Saturday after going into cardiac arrest while at his home in New York. He had been treated at a hospital for a pressure wound, a common complication for those with paralysis. The wound became severely infected and spread throughout his body.
There are many reasons to honor Chistopher Reeve’s life of heroism, but he may be remembered best for his speech from an artificial breathing apparatus and in a wheelchair at the 1996 Democratic Party’s national convention in Chicago, when he said,
“The last few years we’ve heard a lot about something called family values. And like many of you, I’ve struggled to figure out what that means. Since my accident, I found a definition that seems to make sense. I think it means that we’re all family. And we all have value.
“Now, if that’s true, if America really is a family, then we have to recognize that many members of our family are hurting… One in five of us have some kind of disability. You may have Parkinson’s disease, or a neighbor with a spinal cord injury, or a brother with AIDS. And if we’re really committed to this idea of family, we’ve got to do something about it.
“In my room when I was in rehab, there was a picture of the space shuttle blasting off. [Reeve’s wife Dana put it there, to inspire him.] It was autographed by every astronaut at NASA. On top of that picture it says, ‘We found nothing is impossible.’
“Now that should be our motto. It’s not a Democratic motto, not a Republican motto. It’s an American motto. It’s not something one party can do alone. It’s something we as a nation have to do together.
“If we can conquer outer space, we should be able to conquer inner space, too. And that’s the frontier of the brain, the central nervous system, and all the afflictions of the body that destroys so many lives and robs our country of so much potential”
Reeve could not have made a more impassioned plea on behalf of embryonic stem cell research if he had made it the hour before his death. John Kerry says yes to that plea. President Bush says no. Reeve’s widow, Dana, is now campaigning with Kerry to encourage voters to support the research that might have restored Reeve’s health and saved his life.
Superman is
dead. Long live Superman, and the Superman in all of us.
See you next month at the same fire hydrant.